The 1820 Scottish Rising has been increasingly studied in recent decades. This collection of essays looks especially at local players on the ground across multiple regional centres in the west of Scotland, as well as the wider political circumstances within government and civil society that provide the rising's context. It examines insurrectionist preparation by radicals, the progress of the events of 1820, contemporary accounts and legacy memorialisation of 1820, including newspaper and literary testimony, and the monumental 'afterlife' of the rising. As well as the famous march of radicals led by John Baird and Andrew Hardie, so often seen as the centre of the 1820 'moment', this volume casts light on other, more neglected insurrectionary activity within the rising and a wide set of cultural circumstances that make 1820 more complex than many would like to believe. 1820: Scottish Rebellion demonstrates that the legacy of 1820 may be approached in numerous ways that cross disciplinary boundaries and cause us to question conventional historical interpretations.

Focusing on the aesthetic representation of trauma, George Smith outlines the nexus points between poetics and hermeneutics and shows how a particular kind of thinker, the artist-philosopher, practices interpretation in an entirely different way from traditional hermeneutics. Taking a transhistorical and global view, Smith engages artists, writers, and thinkers from Western and non-Western periods, regions, and cultures. Thus, we see that poetic hermeneutics reconstitutes philosophy and art as hybridizations of art and science, the artist and the philosopher, subject and object. In turn, the artist-philosopher's poetic-hermeneutic reconstitution of philosophy and art is meant to transform human consciousness. This book will be of interest to artists and scholars working in studio practice, art history, aesthetics, philosophy, cultural studies, history of ideas, history of consciousness, psychoanalytic studies, myth studies, literary studies, and creative writing.

George Smith (1833 1919) spent many years in India as an educator and editor of the Calcutta Review. He was a great supporter of missionary work and became secretary of the foreign mission committee of the Free Church of Scotland in 1870. He also wrote popular books of missionary biography including this two-volume Life of Alexander Duff (1879). Duff (1806 1878) was the first foreign missionary of the Church of Scotland and a leading figure in promoting Christian education in India. Duff pioneered what he called 'downward filter theory' which centred on educating India's upper caste through English in the hope that this elite group would then take responsibility for the evangelisation and modernisation of South Asia. Volume 1 describes Duff's life until 1843, covering his education in Scotland, his arrival in Calcutta and the founding of his school, the General Assembly Institution.

George Smith (1833 1919) spent many years in India as an educator and editor of the Calcutta Review. He was a great supporter of missionary work and became secretary of the foreign mission committee of the Free Church of Scotland in 1870. He also wrote popular books of missionary biography including this two-volume Life of Alexander Duff (1879). Duff (1806 1878) was the first foreign missionary of the Church of Scotland and a leading figure in promoting Christian education in India. Duff pioneered what he called 'downward filter theory' which centred on educating India's upper caste through English in the hope that this elite group would then take responsibility for the evangelisation and modernisation of South Asia. Volume 2 describes Duff's life from 1843 until his death in 1878, covering his contribution to the 1854 educational reforms in India and the founding of the University of Calcutta.

In The Artist-Philosopher and New Philosophy, Smith argues that Western Metaphysics has indeed come to what Heidegger describes as "an end." That is hardly to say philosophy as such is over or soon to disappear; rather, its purpose as a medium of cultural change and as a generator of history has run its course. He thus calls for a New Philosophy, conceptualized by the artist-philosopher who "makes" or "poeticizes" New Philosophy, spanning literary and theoretical discourses and operating across art in all its forms and across culture in all its locations. To this end, Smith proposes the establishment of schools and social networks that advance the training and development of artist-philosophers, as well as global digital networks that are themselves designed toward this "ever-becoming community."

A groundbreaking examination of one of the most controversial topics within modern archaeology. The invention of metal detecting technology during the Second World War allowed the development of a hobby that has traditionally been vilified by archaeologists as an uncontrollable threat to the proper study of the past. This book charts the relationship between archaeologists and metal detectors over the past fifty odd years within an international context. It questions whether the great majority of metal detectors need be seen as a threat or, as some argue, enthusiastic members of the public with a valid and legitimate interest in our shared heritage, charting the expansion of metal detecting as a phenomenon and examining its role within traditional archaeology. A particular strength of the book is its detailed case studies, from South Africa, the USA, Poland and Germany, where metal detectors have worked with, and contributed significantly towards, archaeological understanding and research. With contributions from key individuals in both the metal detecting and archaeological communities, this publication highlights the need for increased understanding and cooperation and asks a number of questions crucial to the development of a long term relationship between archaeologists and metal detectors. PETER G. STONE is Head of the School of Arts and Cultures and formerly Director of the International Centre for Cultural and Heritage Studies at the University of Newcastle. He has been interested in the public's role and interest in archaeology for over twenty-five years and has published widely on this topic, especially with respect to formal and informal education. SUZIE THOMAS is lecturer in museum studies at the University of Helsinki.

In the contemporary world, unprecedented global events are challenging our ability to protect and enhance cultural heritage for future generations. Relevance and Application of Heritage in Contemporary Society examines innovative and flexible approaches to cultural heritage protection. Bringing together cultural heritage scholars and activists from across the world, the volume showcases a spectrum of exciting new approaches to heritage protection, community involvement, and strategic utilization of expertise. The contributions deal with a range of highly topical issues, including armed conflict and non-state actors, as well as broad questions of public heritage, museum roles in society, heritage tourism, disputed ownership, and indigenous and local approaches. In so doing, the volume builds upon, and introduces readers to, a new cultural heritage declaration codified during a 2016 workshop at the Royal Ontario Museum, Canada. Offering a clarion call for an enduring spirit of innovation, collaboration, education, and outreach, Relevance and Application of Heritage in Contemporary Society will be important reading for scholars, students, cultural heritage managers, and local community stakeholders.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Chaldean Account Of Genesis: Containing The Description Of The Creation, The Fall Of Man, The Deluge, The Tower Of Babel, The Times Of The Patriarchs, And Nimrod: Babylonian Fables, And Legends Of The Gods; From The Cuneiform Inscriptions George Smith Scribner, Armstrong & Co., 1876 Bible; Cosmogony, Babylonian; Creation; Mythology, Assyro-Babylonian

The Assyriologist George Smith (1840-76) was trained originally as an engraver, but was enthralled by the discoveries of Layard and Rawlinson. He taught himself cuneiform script, and joined the British Museum as a 'repairer' or matcher of broken cuneiform tablets. Promotion followed, and after one of Smith's most significant discoveries among the material sent to the Museum - a Babylonian story of a great flood - he was sent to the Middle East, where he found more inscriptions which contained other parts of the epic tale of Gilgamesh. In this 1875 work, a bestseller in its day, Smith describes his expedition, the difficulties encountered, and the discoveries, including hundreds of inscriptions which increased knowledge of the Babylonian and Assyrian civilisations but also had a profound effect on traditional biblical studies. Smith died in Aleppo in 1876, having revolutionised understanding of the ancient Near East.

The Assyriologist George Smith (1840-76) was trained originally as an engraver, but was enthralled by the discoveries of Layard and Rawlinson. He taught himself cuneiform script, and joined the British Museum as a 'repairer' of broken cuneiform tablets. Promotion followed, and after one of Smith's most significant discoveries among the material sent to the Museum - a Babylonian story of a great flood - he was sent to the Middle East, where he found more inscriptions which contained other parts of the epic tale of Gilgamesh. Before his early death in 1876, he was writing a history of Babylonia for the 'Ancient History from the Monuments' series. Prepared for press by A. H. Sayce, it was published in 1877. Smith traces the story of the Babylonian empire from mythical times ('before the deluge') to its conquest by Persia in the sixth century BCE. Several other books by Smith are also reissued in this series.

The Assyriologist George Smith (1840-76) was trained originally as an engraver, but was enthralled by the discoveries of Layard and Rawlinson. He taught himself cuneiform script, and joined the British Museum as a 'repairer' of broken cuneiform tablets. Promotion followed, and after one of Smith's most significant discoveries among the material sent to the Museum - a Babylonian story of a great flood - he was sent to the Middle East, where he found more inscriptions which contained other parts of the epic tale of Gilgamesh. In 1875, he published a history of Assyria for the 'Ancient History from the Monuments' series. Using biblical accounts as well as the Akkadian documents in clay and stone then being excavated in the area, Smith traces the history of the Assyrian empire from its origins until the fall of Nineveh in 612 BCE. Several other books by Smith are also reissued in this series.

John Wilson (1804-1875) was a Christian missionary and philanthropist. He spent most of his working life in India, where he built churches and schools, and founded the institutions now known as Wilson College and the University of Mumbai. First published in 1878, this biography was compiled by George Smith (1833-1919), at the request of Wilson's son. As former editor of the Calcutta Review, Smith was an expert on Wilson's career, and having met him on his own travels to India, held him and his work in high esteem. The book traces Wilson's life from his childhood to his final days. It reveals his patient mediation between native Indians and their rulers, his groundbreaking and lasting influence on their lives, and his pivotal role in the British government's efforts to help India and its neighbouring countries. It remains of great interest to scholars of religious and Asian studies.

This 1902 book, originally intended for private circulation, is a memoir of George Smith (1824 1901), founder, proprietor and publisher of The Cornhill Magazine and later the Dictionary of National Biography. The small volume, compiled by Smith's wife, consists of a memoir of Smith by Sidney Lee, followed by four short autobiographical pieces that Smith wrote for The Cornhill. He recalls his years at the publishing house of Smith, Elder and Co.; his encounters with Charlotte Bronte, who stayed with the Smiths in London; his idea of founding a magazine; and the 'lawful pleasures' of court cases for libel. The final item is Sir Leslie Stephen's obituary of Smith, first published in The Cornhill. The book, illustrated with two portraits of Smith, and a photograph of his memorial tablet in St Paul's Cathedral, provides an engaging portrait of a significant Victorian publisher and man of letters.

George Smith (1833 1919) published this biography in 1885. Carey (1761 1834), a key figure in the nineteenth-century Protestant missionary movement and founding member of the Baptist Missionary Society, lived and worked as a missionary in India from 1793 till his death 41 years later. The biography is based on Carey's unpublished letters, personal papers, missionary records and the recollections of Carey's friends and colleagues in India. It focuses on Carey's educational work; his involvement in India's agriculture; the mission centres he established throughout India; and his translations of the Bible into Sanskrit, Bengali and many other Indian languages. Smith, a popular Victorian biographer and an expert on India and missionary activity there, paints a vibrant picture of Carey and his extraordinary life. The biography remains a key source for the nineteenth-century Protestant mission movement and for the work of one of its key figures.

In The Artist-Philosopher and New Philosophy, Smith argues that Western Metaphysics has indeed come to what Heidegger describes as "an end." That is hardly to say philosophy as such is over or soon to disappear; rather, its purpose as a medium of cultural change and as a generator of history has run its course. He thus calls for a New Philosophy, conceptualized by the artist-philosopher who "makes" or "poeticizes" New Philosophy, spanning literary and theoretical discourses and operating across art in all its forms and across culture in all its locations. To this end, Smith proposes the establishment of schools and social networks that advance the training and development of artist-philosophers, as well as global digital networks that are themselves designed toward this "ever-becoming community."

Maine has the most diverse fly fishing opportunities in New England and is a popular destination for anglers seeking trout, landlocked salmon, striped bass, and a host of other game fish. This guide to the state's best fly fishing covers rivers and streams, ponds and lakes, and salt water, also includes extensive information on backcountry ponds and other out of-the-way places. In addition to the top fishing destinations, author Bob Mallard covers a lot of fascinating Maine angling history and includes chapters on the fish species and conservation. With contributions by a who's who list of Maine writers including Emily Bastian, William Clunie, Will Lund, Bill Sheldon, George Smith, Ted Williams, V. Paul Reynolds, and King Montgomery, this book is sure to be a valuable resource for resident and visitor alike.

In the contemporary world, unprecedented global events are challenging our ability to protect and enhance cultural heritage for future generations. Relevance and Application of Heritage in Contemporary Society examines innovative and flexible approaches to cultural heritage protection. Bringing together cultural heritage scholars and activists from across the world, the volume showcases a spectrum of exciting new approaches to heritage protection, community involvement, and strategic utilization of expertise. The contributions deal with a range of highly topical issues, including armed conflict and non-state actors, as well as broad questions of public heritage, museum roles in society, heritage tourism, disputed ownership, and indigenous and local approaches. In so doing, the volume builds upon, and introduces readers to, a new cultural heritage declaration codified during a 2016 workshop at the Royal Ontario Museum, Canada. Offering a clarion call for an enduring spirit of innovation, collaboration, education, and outreach, Relevance and Application of Heritage in Contemporary Society will be important reading for scholars, students, cultural heritage managers, and local community stakeholders.

A wide variety of optical instruments exists in which the human eye forms an integral part of the system. This book provides a detailed description of the visual ergonomics of such instruments. The book begins with a section on image formation and basic optical components. The authors then discuss various optical instruments that can be adequately described using geometrical optics, and follow this with a section on diffraction and interference, and the instruments based on these effects. There are separate sections devoted to ophthalmic instruments and aberration theory, with a final section covering visual ergonomics in depth. Containing many problems and solutions, this book will be of great use to undergraduate and graduate students of optometry, optical design, optical engineering, and visual science, and to professionals working in these and related fields.